Common Psychology Words Based on Greek or Latin Roots

The Dance of The Body without Organs Essay -- Electronics Essays

The Dance of The Body without Organs My present venture utilizes the idea of the Body w/o Organs as a model of creative procedure to subvert social, logical, and political progressions utilized in sorting out our conditions of awareness and epitome. By showing up at an area of quietness, or â€Å"zero intensity† through this procedure of separating standardizing structures; new structures, setups, and associations will rise that reflect nearby, passionate, or unreasonable textures. The task exists in a few launches, including vivid virtual conditions, organized craftsmanship, 3-D demonstrating, and messages. Body w/o Organs, Deleuze and Guattari, Artaud, Virtual Reality, Virtual Environment, Irrationality, Surrealism, Visible Human Project 1.0 Situating Subjectivity â€Å"My mind turned into a position of asylum, a haven, a room I could enter with no dread of intrusion. My brain turned into a site of resistance.† (snares, 1991) Situated as an advantaged subject comparative with race and sex; I am at a transitional spot in regards to control relations. My childhood as a white male of a working class family in a line of Scottish ranchers moving to the rustic Midwestern US establishes me in the blood-splashed soil of the Klu Klux Klan. I was brought up 20 years after and 30 miles from Marion, Indiana, site of endless brutal lynchings of African Americans. My feelings sold out the authoritative characterizations of my own body and shade of substance. I agreed with the people in question, not with my kinfolk. My longing to be finished with the coding of the governmental issues of character in my tissue expanded my feeling of spirituality. My own double-crossing of skin and kinfolk joined by the evident benefit managed me by the typified coding of race has made a ... ...cal and hypothetical issues identified with the innovations of vivid augmented simulation, netart, and symbols; explicitly regarding issues of character, exemplification, and human awareness. He has introduced and shown his work in various universal scenes, including Ars Electronica, Invencao, Consciousness Reframed, Webs of Discourse, CADE, just as exhibition halls, displays, and elective spaces. His exposition, â€Å"A Manifesto for Avatars† was distributed in Intertexts in 1998. At present he is a meeting scientist at the Virtual Reality Center at the University of Teesside, and at the CAVE Lab, New Media Center, The University of Michigan. He is a Visiting Assistant Professor of Computer Art/New Media at Bowling Green State University, and an Assistant Professor of Art at Kent State University. http://www.stark.kent.edu/~glittle http://www.oberlin.net/~glittle